The only album to ever credit producer Bob Shad as a leader -- even
though the man had been behind so many famous records on labels that
include Mainstream, Time, and Mercury! This set has Shad taking the
hip vibe of the Mainstream label to the forefront -- mixing funky jazz
and trippier rock touches together beautifully -- blending
Mainstream's worlds of psych and soul in a tremendous way -- as he
turns out these fresh new takes on big tunes from the time -- all
redone here as fuzzy instrumentals! The great Ron Frangipane handled
arrangements -- and titles include "Whole Lotta Love", "Pinball
Wizard", "I Want You Back", "Instant Karma", and "No Time".
--from dustygrove.com
Bob Shad was one of the key jazz producers of the 20th Century
alongside Creed Taylor, Orrin Keepnews, Bob Thiele and Nesuhi
Ertegun. He left an unforgettable mark on music across many genres,
producing more than 800 albums over a 40 years career and recording
many Giants in the process. "He was not just commercial, he recorded
mainly what he believed in.", said critic Leonard Feather. Born in New
York on February 12th, 1920, Bob Shad got in the music business in
1946 working first for National Records and then for Savoy Records as
they bought National. It was the beginning of a long and fruitful
journey which saw him work with Charlie Parker on the legendary Savoy
Sessions, set up EmArcy Records in the 50s and produce a 7" single in
1958 by The Jades featuring a 15 year old guitarist named Lou Reed. Oh
and he recorded Janis Joplin's first LP in 1966 with Big Brother & The
Holding Co.
The list of luminaries Shad recorded or discovered is endless:
Lightnin' Hopkins and Art Blakey, Max Roach and John Cage, Cannonball
Adderley and The Platters, Sarah Vaughan and Quincy Jones. An
entrepreneur at heart, he founded a new label, Mainstream Records in
1964 producing jazz, psychedelia and soundtracks. In 1971, he started
the cult Mainstream MRL 300 series featuring the radical sound of the
early 70s recorded by a new wave of young robe-dressed jazzmen,
influenced by both the modal sound of the New Thing and the funk of
Sly Stone. Shad didn't restrict his productions to one particular
genre and also recorded young soul divas such as Ellerine Harding,
Maxine Weldon and above all Alice Clark, whose eponymous album mixing
soul with Ernie Wilkins' funky big band arrangements has become an
absolute classic.
--Superfly Records
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