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The Band: Live at the Academy of Music 1971

Levon Helm: Ramble at the Ryman

The Band: Three of a Kind

Robbie Robertson: How to Become Clairvoyant

Garth Hudson Presents a Canadian Celebration of The Band

Levon Helm: Electric Dirt

Garth and Maud Hudson: Live at the Wolf

Pulse

Dirt Farmer

Elliot Landy's Woodstock Vision

Jimmie Haskell: California '99

Jimmy Haskell is mostly remembered for his prolific career as an arranger, composer and producer in the Hollywood studios. He is credited on a long list of films from 1961 to 1996.

Housed in a fold out cover with a wraparound blown-up topographical map of the US in blue and green/brown, the extremely strange concept album California '99 is about life in California after the "big one", with the Great Plains turned into a "Marijuana and Insect Corridor" and the Florida region as a desert. It's got some pretty well known guest artists on it (see the "Sidemen" list below.) According to Canadian musicologist Bill Munson, the album was mostly orchestral, with disappointingly few vocal contributions. It contains a version of The Band's "Dixie," performed by blues singer Jimmy Witherspoon.

Review of California '99

by Mitch Myers, NewCity Chicago

Now where was I? Oh yes, I remember now. I was examining some albums made in the past that were written about the future, which is now. Today's history lesson is about a little album on the ABC Records label (long since gone -- of course) by Jimmie Haskell called "California '99" that was prepared during 1971. Haskell was quite a notable arranger in Los Angeles during the sixties but this is the only album that I ever saw under his own name. A concept album (or rock opera if you prefer), "California '99" told a story (written by Tom Gamache) that was supposed to begin in 1975 following the fourth wage and price freeze in as many years. After disenfranchising the judicial branch of the government, financial and political woes force the president to abdicate. In 1980 the "United States declares bankruptcy; all laws are voided and the entire U.S. is renamed California with higher hopes. All states become countries and all cities become districts." By 1985, insects become the main food staple of the population and the middle of the country is designated the "Marijuana and Insect Corridor" since all the insects thrive on Cannabis plants for some reason.

Gamache came close to being prophetic at times but never got things quite right. Within his story line, he predicted that voting at home would become a reality in 1980 via the visual phone and vote turnout was doubled. Also, the "House Of Non-Representatives" is created by California's government with the purpose not to legislate, but intimidate. If this all sounds a little convoluted, it is. You have to remember there was some pretty powerful weed going around in California in 1971 and my bet is that Haskell and Gamache were high as kites when they made this record. There is plenty of Big Brother innuendo and numerous cheapo pix of faux-future interactions. The whole album package unfolds into a huge, full-color map of the "reconstituted" United States. It's wild, but let's not forget about the music inside this unusual package.

"California '99" featured lots of guest singers including blues great Jimmy Weatherspoon, Joe Walsh (fresh from the James Gang and later of The Eagles), Denny Doherty of Mamas and the Papas fame, a group called Big Wanda and the Wombats and supersoul singers of the day, Merry Clayton and Clydie King. The record was produced by Bill Syzmczyk worked with talented folks like B.B. King, Pharoah Sanders, The Eagles, John Lee Hooker, J. Geils Band, The Who, Santana, Elvin Bishop and Bob Seeger.

While Mr. Haskell was an undeniably brilliant arranger-conductor, he was not quite the songwriter that this album required. Instead of contributing an entire album's worth of sub-par material, Haskell mixed his own compositions with Robbie Robertson's "The Night They Drove Old Dixie Down," which was performed passionately by Jimmy Witherspoon. What this song has to do with the future shock of America/California is beyond me, but there's certainly some kind of social-political message involved so let's just leave it at that. Joe Walsh's cameos on songs like "Jessica Stone" and "California Fairy Tale" are only moderately inspired but make the musical aspect of this package a bit more interesting. In terms of the rock opera syndrome, Haskell also borrows Pete Townsend's "Underture" from 'Tommy' to close out this unusual LP.

All in all, "California '99" is a product of its time and place. Somebody had an idea; someone else had the money, a few people agreed to contribute and presto! An expensive looking album came out and was promptly forgotten. Hold on a minute, this could have happened in today's market just as easily. Hmm, I wonder how much I could sell this puppy for on the Internet.

Tracks

  1. Overture
  2. Appopopoulishberg
  3. The Night They Drove Old Dixie Down (J.R. Robertson)
  4. To Claudia on Thursday
  5. Prelude
  6. California Fairy Tale
  7. Barbara
  8. Underture

Sidemen

  • Joe Walsh, vocals
  • Denny Doherty, vocals
  • Michael Fennelly
  • Clydie King, vocals
  • Wombats, vocals
  • Merry Clayton, vocals
  • Ron Edgar
  • Jimmie Haskell
  • John "J.R." Robinson
  • Bill Szymczyk, producer/engineer
  • Jimmy Witherspoon, vocals
  • John Wonderling
Jimmie Haskell - California '99 - 1971 - ABC 728


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