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The Leroi Brothers: Kings of the Catnap
Great, even legendary, bar bands don't
necessarily make great, legendary records (see NRBQ), but in Austin's
Leroi Brothers' case, they don't make many records at all. This disc
comes a whopping eight years after 1992's Crown Royale, which itself
was a cobbled-together collection of two European releases. With all
that time to prepare, you'd think this would be a spectacular, no holds
barred, career-defining work. It's not. Kings of the Catnap, so titled after
sleeping habits brought about through a life of hard touring, is a
relatively lively, upbeat, but hardly revelatory traipse through the
various roots genres the Leroi Brothers call home. Honky tonk,
rockabilly, swamp rock, a bit of blues, folk, and country all get filtered
through the band's workmanlike rockin' machine to adequate effect. It's
all solid, unpretentious, and honest, but nothing jumps out and grabs
the listener with the insistent, biting Americana groove the band is
known for live.
It's not for lack of trying. Guest musicians like the Band's Garth Hudson, Austin vocalist Toni
Price, guitarist Jimmy Vaughn, and even Buck Owens (a longtime fan) add their distinctive presence to various
tracks and do their best to pump up run-of-the-mill material with their undeniable talents. The always
idiosyncratic Hudson, in particular, transforms the ordinary ballad "Someday" into a majestic, Band-worthy track.
But the original songs by group founder/guitarist Steve Doerr and guitarist Casper Rawls are too often derivative,
uninspired, and lack great hooks or melodies. Vocalist Doerr doesn't exude a powerful or unique enough presence
to compensate and the band's self-production fails to capture the sparks that make them such an incendiary live
act. Song's like "Devil Shake Woman" with its note-for-note Hubert Sumlin lick and "Runnin' Ghost," which
sports a slinky Hendrix groove, don't resonate with the intensity of their inspirations. Unfailingly rugged,
heartfelt, and sincere, Kings of the Catnap still falls short of effectively capturing the energy of a great, even
legendary bar band.
--Hal Horowitz, All-Music Guide
Garth Hudson contributes
organ and accordion on this album. Band-producer Aaron Hurwitz is credited as engineer.
Tracks
- Scratchin' on Down the Line (Doerr)
- Route 88 (Doerr)
- Flake (Doerr)
- Dark Horse (Doerr)
- Someday (Doerr)
- She's Got Everything (Doerr)
- Devil Shake Woman (Doerr)
- On the Corner (Doerr)
- First Time (Rawls)
- One More Last Chance (Doerr)
- Down the Road (Doerr)
- Fly Away Bad Dream (Doerr)
- Runnin' Ghost (Doerr)
Sidemen
- Jim Lauderdale
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Harmony Vocals
- Buck Owens
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Guitar (Acoustic), Liner Notes
- Ian McLagan
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Piano
- Mike Buck
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Percussion, Drums
- Cyndi Cashdollar
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Guitar (Steel)
- Tim Coats
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Engineer
- Steve Doerr
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Guitar (Acoustic), Harmonica, Guitar (Electric), Vocals
- Garth Hudson
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Organ, Accordion
- Aaron Hurwitz
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Engineer
- Jim Shaw
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Engineer
- Jimmie Vaughan
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Guitar (Electric)
- Jay Orr
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Liner Notes
- Casper Rawls
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Guitar (Acoustic), Guitar (Electric), Vocals
- Pat Collins
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Percussion, Guitar (Bass), 6-String Bass
- Allen Crider
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Engineer
The Leroi Brothers - Kings of the Catnap - 2000 - Rounder 37
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